Weeks of proposals with no end, living with anthropology day and night, dreaming and nightmaring of research… The grants season… I had it, enough already. A break. Needless to say I went to my pile of DVDs to find refuge. And out of nowhere it seemed, picked up Woody Allen’s 1983 ”Zelig”. I had seen it as a teenager, in a moldy subterranean Parisian cinema re-re-re-screening ”classics”. I had no recollection whatsoever of the movie. Barely that – as usual – there were about 3-4 viewers in the theater, that Woody was his usual self, and that it had the flavor of a documentary of the 30’s. And here I am: years later, just as I am looking forward to get as far as possible from anthropology, I certainly didn’t remember the potential of ‘’Zelig’’ to reflect on just exactly that. (Visual) Anthropology goes to the movies, first take!
In a previous post which I hoped showed how little photos can make big histories, I introduced Ly Mah and her upcoming family saga. Following the daughter, Ly Mah, then pictured in her best attire to go to the movies, comes the portrait of a young, handsome, colorful man: the father, Kai Team.
To line up this new year with some visual enthusiasm and inspiration, I have decided to dig into my ”To digitalize” box. It’s a big fluffy one (for dust does fluff after a while of not forcing it to get out, take a stroll outside). Just as I opened the box, some good ol’ shots of good ol’ mosques came up. Mosques from Cambodia, often left on the side of the prayers, left to fluffy dust and collapsing sands. Continue reading
A tall woman. A pendant made out of gold, or at least a golden shade, applied later, applied for better. Finger waves. A touch of rouge. A certain elegance in the way the hand uncertainly hangs on the body. And just pure elegance holding on to the whole pose, holding together the whole picture, holding together the two young ladies. Meet Ly Mah in her seventeen. Meet her as an introduction to a series of family sagas I have long been willing to share.