Salīh. A Cham Buffalo Sacrifice: The how to *not* make an ethnographic movie.

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I guess that may come with the job description… As an ethnographer, I have to confess an absolute adoration for ethnographic movies. I would choose a Jean Rouch film over any Oscared documentary, anytime. I love that those films have – just like Cinema Vérité – this ‘’fly on the wall’’ approach. I love that they take the yellow brick road without being too sure of where it leads, and that the final destination aimed for is ‘’let’s-just-observe-and-deliver-the-thing-completely-raw-to-the-viewers’’.

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Exposing The Under-Exposed: family portraits on a mosque’ walls

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There are many – many – things I remember from any ceremony I attended in O’Russei village, a.k.a one of my offices, a.k.a one of my fieldwork centres. The Eid El Fitr in autumn 2007 was no exception, and I have transcribed a few – very few – notes from it here. On that particular day though there was something beside the ritual itself that I remembered: an exhibition of simple family pictures on the walls of the village mosque.  Continue reading